Instrumental Beats Hip Hop

A set number of Master Recordings: A Master Recording is defined as the audio file created after the artist records his or her vocals to the beat. Most leasing terms allows for the profitable distribution of one Master Recording. Although the artist may record as many takes of the song as he or she wishes, they may only distribute ONE of these recordings for profitable use.

A set number of profitable distributions of the Master Recording: One factor outlined in almost all beat-leasing terms is a limit on the amount of profitable distributions of the Master Recording allowed by the artist. For the sake of an example, let us say that the producer's contract allows for 2500 profitable distributions (that is the amount that we allow at our site)of the Master Recording. This simply means that the artist may record their vocals onto the beat, place the song on 2500 CDs, DVDs, cassettes, or any other form of recording media, and sell those for profit. If the artist were to sell any more than 2500 copies of the song, they would be breaking the contract. If the artist would like to further distribute the beat for more than 2500 copies, he/she must purchase an extended beat lease.

A set length of time for profitable distributions: Another term you may run into with the beat lease is the overall time span of your allowed profitable distributions. Some common lengths of time are 1-3 years, depending on the producer. If the terms allow for one year, the artist can distribute his/her 2500 profitable copies over the course of one year. After this time, the contract runs out and the artist loses his/her right to distribute the song for profit, even if they have not reached their 2500 copy limit.

The producer retains ownership rights of the beat: Leasing a beat is almost like borrowing or renting the beat from the producer for a period of time. The artist has the right to record over, distribute, and make some money off of the producer's work, but the producer retains ownership of the beat. If you lease a beat, the producer keeps his/her right to continue leasing the beat to other artists (hence why leasing grants "non-exclusive rights").

The artist must give the producer credit for his/her work. Most beat lease terms include that the artist must give the producer some form of credit for his/her work in creating the beat. This usually includes either verbal or written credit. Verbal credit would be a "shout-out" in the song where the artist verbally states who the track was produced by. Written credit is usually included in the CD booklet or on a website where the song is located.

These are the main terms of agreement you will come across when leasing a beat online. Every contract is different, and you will more than likely come across different terms when reading through beat lease contracts online, but these are the ones that you are sure to come across most frequently.

That's all for now...I hope you understand the beat lease a little better now!

What is in the Sonic Producer Package

Other than the main software, there are also production lessons in many other aspects of music making including ProTools, software instruments, keyboards, production lessons and many more. With this package, I have learned how to use different instruments to create beats and music. Finally, you will also find downloads for good quality instrumentals and beats to help you create your tracks on Sonic Producer.

My Overall Opinion of Sonic Producer

This piece of software is designed by a professional music producer, and all the video tutorials in the package show methods used in the music production industry. I find the video and written lessons to be very easy to follow, and the software has helped me produce my own great beats in just a few minutes.

Making your Own Beats with Sonic Producer Royalty Free

Another thing to note about this software is that all of its beats are royalty free, meaning that you can make a great beat, sell it to the public and keep all the profits. The beats that you create can be used in any way that you want, and the entire database of beats is very big in size.

To make a good beat, you must first acquire some form of beat making software, and many are available. The following instructions will fit any software you choose to use, as these are more musical guidelines than software-specific instructions.

This will not be easy money, and will take months of practice to be proficient enough to sell your product to an artist or to use for yourself. But any aspiring rap producer should be more than willing to put the work in to create something original that could one day be used by the next up-and-coming rap artist.

Step 1:

Select which software you want to use. In the early days of the rap industry, many of the sounds used to create beats were produced from analog synthesizers or actual instruments. Advances in technology have now given anyone the tools required to make beats from their personal computer with no additional equipment (synthesizers, midi controllers, drums, etc.)

Step 2:

Sampling is one of main cornerstones of beat production; because most rap beats you here today heavily rely on sampled instrumentation from previously recorded material. Sampled music will give your song a more 3D sound, and add to the texture which will set your beat apart from the rest. (NOTE: If you are going to sample a song from another artist, make sure you have their permission, as this could lead to harsh fines and unwanted legal trouble!)

Step 3:

KNOW YOUR SOFTWARE. There is no tip I can give you that will make beat production easier than learning the ins and outs of your software. Any program out there will have a myriad of tutorials available for free. This will make your experience and creativity flow more naturally, as you will not be limited by wondering 'where the reverb control is.'

Step 4:

There are really no exact guidelines that rap beat must follow, and this is a very liberating fact. This is music, and you are only limited by your creativity. Find friends who play other instruments and record their playing on your tracks! Study other rappers and producers and find out where they started and where they are now. This will give you inspiration and also a feel for how the industry has evolved to this point.

The best advice I can give is to be original, be creative, and don't give up! You will carve your niche after hours of practice, and soon you may be selling your beats for hundreds, or even thousands of dollars!

There are free programs and those that cost. While some of the free programs offer great features, generally serious beat makers will invest in an affordable program that does not limit features. If you do not have the money to invest consider downloading a free software program to play around with features and to get a feel for how these particular programs work. Once you have practiced with a free program you will need to eventually invest in a real beat maker software program that offers advanced features.

Quality beat making programs cost between and 0 depending on your budget. Beat programs were once very expensive. Now, with advanced technologies and a high demand, programs are much more affordable. Do not always assume that an excellent program must cost a fortune. Very good programs are affordable and can be downloaded directly off of the Internet.

When you are comparing various programs always remember that some have specific system requirements. If you choose a program that is not compatible with your computer you will not be able to use it. Compare the requirements of the program and be sure you choose a program you can run on your PC or laptop.

Exporting to MP3 is extremely important. Always look for this feature when you are choosing your program. Exporting features will allow you to create a beat and then convert it to an MP3 file. With a cutting edge music sequencer and several different keyboards you will be able to create the best beats that are professional in quality.

Music production machines and software programs will take your music to an entirely new level. Be sure to compare several different programs and compare reviews to choose one that will give you the tools you need. With a little practice and a small investment you will be on your way to achieving your dreams and starting a new fulfilling career or hobby.

Ondre Moore aka Swifty Mc Vay is back, with a beautiful piece of solo work: his Forest Fyres mixtape. This mixtape has been made in collaboration with Swifty's fellow emcees from Runyon Ave, the Fyre Department.

Swifty might be less known as a solo artist by D12 fans, he is nevertheless an amazing lyrical bomber. Besides his work with his fellow D12 members inside of the group, Ondre Moore has some very interesting work at his active with Detroit underground emcees from Raw Collection.
His former Grenade Pins mixtape is an underground jewel I recommend to hip hop lovers.

Swifty ignites the fire by dropping lyrical bombs. You could barely stay indifferent in front of his music.

Ready for a crazy ride with the Chief of the Fyre Department? Let me introduce you into his mixtape.
I Don't Say Nothing is built on some rhythmic drum and guitar sounds that will lead you into a hot atmosphere. Listen to the sirens in the background. Swifty's flow unstoppable and the valuable emcee spits fire on the mic. The words are offensive and murderous, our man is a « walking felony ». Welcome to Swifty's world.

It Ain't Safe is introduced into a raw street killer atmosphere. Piano sounds, violins, gunshots and sirens will lead you into the scary atmosphere of the streets of 7 Mile. Face it: it ain't safe where he comes from. Heartbeats alike, the beats will remind you of a thug running away from an imminent danger.

Act A Fool is a club song. The title says it all...madness, drinks, chicks and blunts to smoke...be ready to get krunk.

Be Like Me: let the drums and maracas lead you into a funny fighting atmosphere. Let the words spread like deadly weapons from Swifty's mouth. Knives alike, they will stab you in an offensive manner. Nicely done.

Change is a beautiful and rhythmic track that will show the listener what Swifty is all about. Always true to himself, he and his crew won't change.

Back Against The Wall : a soft chorus introduces the song and it will soon contrast with Swifty's reps. Where would you go when your back is against the wall. Feel the danger and the thuggish atmosphere of a politically incorrect track. Swifty shows some beautiful skills .
The instrumentals are well chose and totally fit into the song.

Swifty attacks a political system that created a lot of injustice and misery in the hood. The darkness of the track is underlined by piano and keyboard sounds.

The 7th song F*cking Wit Us is written on a beautiful oriental background. Instrumentally rich , it will make you enjoy Swifty's gun talk. Better not talk shit about Swifty and his D12 fellows. Like the other songs, the track is a lyrical jewel, that I highly recommend to the listeners.

Do Somem has the same somber style. Swifty is writing murder music and it is lyrically highly enjoyable. Hell raiser, the talented artist is determined to bring a lot of darkness into his song. Welcome to the Murda Mitten, the dirty D town. Enjoy Ondre Moore's great talent in creating an unsafe and murderous atmosphere.

On most of the tracks, Swifty and his Fyre Department are dropping some pure heat.

Be sure: you all gonna remember him. Don't miss Obie's track Kill Me that is also part of Swifty's mixtape.

My advice to all of you: go cop Swifty's mixtape that is available on his official website. You won't be disappointed.
The lyrical bomber in D12 has dropped an explosive mixtape. Each track is definitely worth a listen.

More info about Swifty, his Fyre Department and the Forest Fyres mixtape can be found here:
http://swiftymcvaysfyredapartment.com

Copyright©2006 by Isabelle Esling
All Rights Reserved

Jazz music combined with spoken rhyme is distinctive as jazz rap style, which became popular in the late 1980's- early 1990's. In Bell's first track, "Nothing Lasts FOURever", a fusion of plucked string, light drum, brass and rap seamlessly merge into this inimitable style. Just released this year, "FOURever" is a stand out recording. His words speak to the title; no matter what they have been through together he is ready to move on, commemorated by the song. The lyrics are extremely clever to describe an age old concept, "the time has come to realize its only fumes that we're running on. The brass in this song punctuates the jazz feel and as he ends it on nothing more than his own voice the listener can relate to his emotional expression.

"Electric Sheep" puts string instruments into a blender with electronically generated beats and whips up a smoothie of a song that conjures up visuals of busily flying bees due to its almost hectic pace. The rhythm on this song is perfectly timed, causing just a slip of frantic panic to bubble up inside the listener. The very moment that fright seems too much to bear, Bell tosses in a recording of an operator instructing us to "please hang up and try again", which adds a level of much needed humor bringing a smile and lowering the heart rate.

Throughout the five available songs on his MySpace page, Bell displays his penchant for various musical styles and utilizes an array of instruments to create his sound. Bell's own voice is a powerful instrument used on four of his five songs and he takes care not to drown it out with music; smooth but simultaneously vulnerable he is clear and easy to listen to. On "Red" his voice is recorded in an almost hauntingly hollow sound as a perfect compliment to the reflectively dark lyrics.

With over 130,000 views to his page and a combined total of just under 36,000 total plays of his tracks, Frank Bell is carving out a strong presence for himself in the online world; his humorous song "The Penguin" has had over 11,000 plays alone. Three of his 5 songs are available for download ("The Penguin", "Tread Soft" & "Electric Sheep") on his MySpace page http://www.myspace.com/frankbell. When visiting his page be sure to read the comment section for a recent clipping regarding a forthcoming album.

Whether you're looking to create pop or hip hop Beats, the best place to start is with one several brands of beat making software. Names such as Cubase, FL Studio, GarageBand, Ableton Live and Reason are just a select few of the beat making and recording software programs available on the market today. Check out each one and see what features they have to offer and you're sure to find one that suits your needs.

Now that you've got the means to make a beat, you need to decide exactly what kind of beat you want to produce. Think about the kind of music you like to listen to and what kinds of beats spark your interest. If you find them entertaining, chances are other people will too. With that in mind, you can begin sketching out a basic game plan to make beats on your computer.

Every good beat is made up of several components, originating from the various parts of a traditional drum set up. There's the kick drum, the snare, and the high hat, each of which have their own unique sound. These sounds can be combined in a variety of patterns to make an individual beat. How you use them is entirely up to you and the key to finding a good beat is creativity and experimentation.

Fortunately, most software programs allow you to make changes as you listen to your recorded beat. This makes it much easier to mix and match and come up with hip hop Beats that add just the right amount of funk or a pop sound that can drive them to the dance floor. You can record your beat directly from a drum machine or keyboard or use software driven instruments instead.

Once you've decided on a beat, then you can take your creation to the next level by adding other elements including a melody and bass line. You can lay in a melody on top of your beats to give your piece texture. The bass line usually rides under the beat to give the piece a solid foundation. But it's those beats that drive the song, so they really need to stand out.

Depending on the software you use, there may be a variety of percussion instrument sounds you can choose from when you make beats on your computer. Everything from cymbals to cowbells to snaps can add flavor and character to your beat. Don't be afraid to experiment; you never know what you might discover along the way.

If you've ever dreamed of being a music mogul, now is your chance to get in on the action right from your own keyboard. Check out the different kinds of beat making software and consider your options. With a little ingenuity and imagination, you could be on your way to discovering the next big beat!